I collect scrap paper...tear it into postage stamp size pieces and soak. To test if ready by ripping in half all the different papers in the mix...if it tears easily its ready.
Now you need to whizz it up in a blender, liquidiser or similar....one large handful at a time and at least half fill the goblet with water and whizz in short bursts...this helps to make sure all the pieces of paper get blitzed. I then pour it into a colander lined with net curtain with small holes or a J cloth ...don't want paper down the sink to block it....I process all the paper into pulp and strain through the net. This is the messy bit...but a quick wipe with a cloth as you go along sorts that. (At this point it can be dried and kept for when you want it. To use...soak and do the liquidiser bit again..It won't take as long...sometimes the paper is better for this.)
Why do I strain it?... So I can add handfuls at a time to the water vat and get the ratio of pulp and water right. The vat is where we dip and swish the deckle and mould...which simply is a picture frame with a mesh to trap the pulp. Whats right?...when you dip the deckle and mould in the pulp mixture you should be able to manipulate a thin layer over the mesh....if you get a really thick heavy layer...add more water a little at a time until you feel it is right. Shop bought kit will have a mesh covered frame and a deckle..a frame with no mesh which sits on top of the mesh covered frame forming the shape of the finished paper.
To use it, put handfuls into a container and add water..it wants to be a fairly thick mixture... the container needs to be at least big enough for the frame and both your hands...so a kitty litter tray will do an A4 size frame (and smaller :) lol ) a smaller container like a plastic biscuit tub could be used for the 6x4 frame.
I like to use a piece of net curtain around the plastic mesh...long enough to hold at each side while you do the dipping and swishing in the vat of paper pulp. Hold the frame with mesh and net/wipe and dip the bottom edge in the vat, pulling it through the pulp until it can be levelled out, horizontal with the top of the water, swish to make sure the mesh is covered with pulp, raise the frame. Pop one of these sponges on top of the paper and flip the whole thing over so you can remove the wooden frame. Then, with your hands, squeeze the plastic mesh and sponge together with the paper pulp layer in the middle....its amazing the amount of water that comes out.....peel off the mesh and lay the netting on the work surface...gently pull back the sponge in a rolling pull back motion, encouraging the pulp to stay in place on the net...place the net on a folded newspaper and repeat...stacking up the nets. They will dry stacked up in a warm place, they can be pegged onto a washing line...or ironed between two sheets of paper, greaseproof etc. Keep a cloth handy to wipe work surface. Bottom right is a washed facial wet wipe...the paper will bond with this and when dry makes it easier to sew....for paper quilts etc. Bottom left is the stack of mesh, paper,sponge which is how it looks when popped out of the frame and squeezed dry. with or without net or wipe works fine.
Top sheet of paper is couched (laid to dry) on a washed facial wipe...they don't bond....sheet on the left IS bonded as it was folded around the mesh and used to make the paper on in the dip and swish process...both have short bits of denim thread in the pulp.... the other three have threads and denim inserts which were laid on the top of the pulp before squeezing the water out with the sponge.
I think this looks like feathers or fossils....
Paper string, knitted and dipped...a bonded piece with stitched denim edges...to be finished with shells etcThese small pieces of paper can be overlapped into a bigger sheet...of many colours......
The 1980s cream brown orange coloured liquidisers have great motors for serious paper making....if you can get one. A one off use of the one in the cupboard well washed afterwards is probably fine....
No comments:
Post a Comment